Hereafter’s Chaos
I tear a teabag open, down its middle
feeling its fabric sachet tear like a temple
curtain
and I feel its dirtlike brown innards spill
into my fingers, creep past my ruby-painted
nails and settle in the cup below.
It fills my consciousness like telling
a fortune as the world ends, as the skyline
turns a marvelous burnt Munchian orange,
as telephone poles split and wires fall inward
upon themselves, as gutters slit themselves open
and pour inky black waters over oil-slicked
pavements, ruining their rainbows and
recreating the world under her hot surface.
Unbecoming, Unremembering
I settled into the swirling colors and swam
in their depths, in their aqueous nebulaic form
I listened to them on the thrums of guitar and I
heard time flicker by my ears, melting past me
and encasing my being.
I greeted time like an old friend, asking her to sit
with me here, in this place with a couch and a table,
an empty canvas and my curious cat, be with me, Time,
stay a moment – sit cross-legged and open-hearted.
on the floor with me as I smear a canvas
in oil paint of many hues – hues of personality, hues of
self, hues of meaning, hues of unbecoming unremembering.
I smear paint on my flesh, let it enter my eyes and turn my
whites a rose color.
I crack my knuckles and felt time dissipate into the wall
not bidding me farewell nor telling me when she’d return.
Wreckage of Self, Unspooled
In a still and undisturbed ocean,
there sinks a perpetual shipwreck
inside of my brain’s front door –
hull split down its center with her floorboards
spiked in all directions, and her innermost
wires holding me by my wrists reddened with
the pressures and forces of manic, drawn-out nights –
her majesty’s smoking, sputtering, barely-turning
engines hold me close to a half-submerged
deck as my throat, gaping and grasping for air –
fills forever with rushing grey water – rushing grey water
that submerges and encases my corpse, once,
twice, eternally and always – and I drift toward
a resting place where gentle recourse lies.
Visions
I live on a moonless planet where stars above are numerous
where colors above in the black sky are visible whirling behind my
closed eyes, where I may dance free, hands grazing the
popcorn ceiling of my cluttered bedroom.
Home is where the booming voice of God calls out and
says to cover my face in makeup with nowhere to go,
the time is 2am in this quiet, tiny town, lit by porchlights
where everyone knows everyone
and yet, it is where no one wishes to know me.
In this place, the night’s pale yellow lights dazzle down upon
the house, standing alone and reticent in the quiet night,
like a pattering rich, dense rain of mania, thence comes the
starry-eyed scoundrel from the back of my brain, and
she tells me to ink my flesh – thrice, needle in, needle
out – and permanence reigns forever. I think to my
ancestors – rajahs and jungle-dwelling soldiers,
conquistadors and anusim.
I think to their capsules of wonder, poked into flesh and
peril injected into their bones.
I ponder – did they bear my illness, did they carry
my malady folded like paper prayers in the cracks of their brains?
Home is
where fragrant tea is drunk late
into the seeping morning, where
pills are left untaken in the blue pillbox littered
with small
stickers to make the thing more bearable and home is where
my unfettered mind is my untamed, unwell, only
mind, wrangled into a cycling normalcy.
A Divine Defenestration
Watching gentle disappearances splay open
like an aqueous creature’s emergence from
a dark, unending lake – a lake where dreams
sputter and kick into brambled-over nightmares –
a lake where unformed plans turn to hallucinatory
mush and observance of antiquarian tenets without
rhyme or reason, where speaking becomes rushed
and words become garbled in my throat, and none
can understand me – this is the lake of fire, this is
Gehenna where claws enrapture my vision and draw
me up toward the court of God – and I demand of Him
why he made me this way, and I ask Him to beg my
forgiveness for this! Yet He responds in a series of
grunts, groans, and what sounds like a giggle – and He
sends me thrashing back toward my Body – self, self,
is this all there is?
Vitoria Perez
Vitoria Perez is a multiethnic, multilingual poet and writer from Covington, Louisiana whose work is attuned to broken communication, obsolete technology, cultural assimilation, grief, the American South, and more. Her work has been recognized by Scholastic and the Poetry Society of America, and her work has been published in Deracine, Expanded Field, and Umbra. She is working on a forthcoming poetry collection, Dilapidated Glassboxes, regarding her experience with bipolar disorder.