Divine Madness

I had my madness, and it was divine. 

I was like Abraham leading his lamb; 

and I was also the sacrificial ram. 

I was Dionysos, the sacrificed child;

pure wine of a God that is neither

child nor man but all too much of 

both. It was my twenty-fourth year, 

and however ineffable, there were 

plenty points of raison d’etat but this

is neither the time nor place for their 

explications; suffice to say that my 

time had come to throw off the mad

caper, and cape as one profoundly mad; 

to throw away the zeal of innocence, 

and try, but fail, to hold onto something 

stronger, more massive than mass or 

anything the hands alone can grasp; 

but it all spun from out my buttery, 

canola oiled, palmed hands of youth

where tobacco stains built up with

the dirt and street cement I slept on 

in my flight to discover another glen of stars

just over the hill—just over that one, 

and that one, and so on; until I was 

here, stuck in my madness, stuck 

forever after grappling with what 

I could not grasp in my hour of divinity; 

in my hour of shining just beyond the 

hill of men. And because the bridge

I relied on did not take me vertically 

to its zenith but horizontally where I 

already stood; as if I were fated to be 

moved by certain rhythms within the 

grid (however much I try to escape 

its clutches) and that I were set by design 

to feed the flux of despair, of prison; 

of death as it comes to the mortal 

and immortal all alike—as it nails 

both God and man, natural and mystic—

the virtuous and the indifferent.


And though I knew that only the tree, 

the sacrifice; an Odin-like solemnity 

of self-effacement for self-upliftment  

(a self-fulfilling sacrifice to the self)

was what could save me from myself,

I still, in my stubborn youth in chains

of madness—unable to see the warning 

signs, always mistaking the glimmer 

of any jewel as destiny’s wink, 

never realizing the Luciferian deceit

behind it all—: in my flat-out stupidity

and arrogance, believed my spirit and 

its divinity would last through eternity

as it spiraled in and out of my frame;

that all my soul, all my loved one’s, 

would be saved from the rapture; 

from the burning of the heavy earth;

from the flooding of the plains as I took 

them atop my body, through my heart;

as a consciousness where madness, 

divinity, and reality come together and apart;

where they puddle, then porously regather 

into clouds that rain down into dreams 

whose fulcrum is my joy and torture; 

whose torrent I know as the thoughts,

the feelings, the inebriation that I hailed, 

thundered, down the hills, through pouring

streets, up the empty canyon with my feet—

and through the wings of my imagination;

my torn, fettered, musically mad singing 

fantasy of mind—and down into the ruts, 

the grazing places of the masses, the herds;

in the valley of not lilies or roses 

but pure thorns that are bred by people

and their thorny children; yes, I grew mad 

at their stare, as they grew mad at mine; 

and I sighed and bawled like a child delivered 

of its throne; renewed, exonerated by

the sunset fading like the reverse shadow

of a rose returning to the summer where 

I lost it all with a ball of frayed thread. 

And because I did not, could not, love

the princess, I was doomed to madness; 

and the kingdom I came close to winning

fell into the hands of demolition; and decay,

once wiped out with every handicap—

every inebriation our Gods suffer us

to be drunk by—threw me into shackles 

I knew to be the only reasonable conclusion.

But the minotaur, worst of all, died from

stomach cancer; not from my hands.

For I am a former ghost of myself and not

yet the ghost I will be. My madness made

and crushed me; my spirit, my imagination,

continue their craving of stars just over 

the hill; of falling, striking through their 

own meteoric heart. My maelstrom, in

truth, is without end; is without firm 

beginning: is like Jesus’s weaving through 

Jews, then Gentiles; searching for solid 

soil; or like Abraham, whose faith is 

wild like the land—unbelievable,

primordial, mammoth, and oh so

real to him—too real as to be of any

security to anyone else; too archaic 

to be of benefit these days; and yet,

unceasing, unwavering it goes

from golden Egypt to arid desserts;

in epic richness and fluent despair,

or like a giant centipede that erupts 

from behind the head of the sphinx; 

like a monster drinking too long from 

its own scorpion tail, but somehow 

gaining nourishment thereby; 

like a vicious snake eating wormholes

through patient space-time, a Magellan 

of cosmic idleness; such madness  

as even the Gods, however ambivalently

they express it, are inspired by.

Galen Cunningham

Galen Cunningham is a neurodivergent poet and fiction writer from the foothills of Colorado. His poetry has been published or is forthcoming in Literary Yard, The Creativity Webzine, Blue Unicorn, Ink In Thirds, Sparks of Calliope, Apocalypse Confidential, Fresh Words Magazine and IHRAF.