Reflections on Dissociative Identity Disorder
A child is all the tools a child has,
growing up, who makes what he can.
William Matthews
There was only me to be
Roy Rogers or the Lone Ranger
to save Dale Evans or Tonto
who were also me. Of course,
my pony filled in as Trigger or Silver
or whatever trusty steed he needed to be.
It was just a game, but maybe
it was the beginning. At least,
it’s something I can remember.
I was in the first grade,
and Monday through Friday
I was alone after school until
my older siblings got home.
I can still smell the 2x4’s that framed
the unfinished addition to the house.
There was a corral with a chute for loading
cattle and 17 acres of irrigated pasture.
My childhood was strange and scary,
something I definitely couldn’t handle.
It’s hard for me to know exactly why,
but not hard for some other me to know,
but some other me won’t say.
All I know is that I broke
into pieces, all me but not
all known to one another.
I get glimpses of things, near
memories: a taste in my mouth,
nausea and fear, voices, ugly
visions… Sometimes I am a cacophony
of uncertainty that barely breathes.
I talk to myself but not in a normal way.
I lose time, but we don’t.
It is a way to cope with the schism
between being told in the 5th grade
by your mother that you don’t have to
be afraid of your father,
but then hiding from him
in the juniper bushes at midnight
as he chases your mother around
the dining room table, catches her
and slaps her face. You know this
because you crept out of the juniper
and looked through the window into
the real world. But no one speaks of this,
and you are ashamed of what you know.
It may be hard to imagine forgetting
an entire manuscript of poems,
meeting strangers that know you,
or being called a liar because of
something you did but didn’t do.
It makes me wonder whose life I’m living.
It makes me wonder if I’m the one
whose talking to you.
Muriel Zeller
Muriel’s poetry has appeared in a variety of publications including Camas: The Nature of the West, Plainsongs, Slipstream, Manzanita: Poetry and Prose of the Mother Lode and Sierra, The Awakenings Review, and CutThroat. Her work has been anthologized, most notably in Over This Soil: An Anthology of World Farm Poems. Slipstream nominated me for a Pushcart Prize in 2004, and the nominated poem appeared on Verse Daily. She is a 2006 recipient of the 8 Seconds Award from cowboypoetry.com. Her chapbook, Red Harvest, was published by Poet’s Corner Press in 2002.