A Course of Electro-Convulsive Therapy
The final treatment
is the only one
she remembers. She fell
into the anesthetic’s dark
as deep as any dream of death
had been. One telling trace
of passage were the marks
on needle-broken barriers
of skin. She imagines
she got on the gurney
and welcomed the cool
alcohol swab, bright lights
and electrode-induced journey,
because it was, ultimately,
her job to try and survive
any way she could, even
if it meant losing part of life,
even if it was doubtful
that she should. She was,
after all, a mother and wife.
She tries to forget
the memories lost,
a white-coated landscape
crossed and recrossed.
Muriel Zeller
Muriel’s poetry has appeared in a variety of publications including Camas: The Nature of the West, Plainsongs, Slipstream, Manzanita: Poetry and Prose of the Mother Lode and Sierra, The Awakenings Review, and CutThroat. Her work has been anthologized, most notably in Over This Soil: An Anthology of World Farm Poems. Slipstream nominated me for a Pushcart Prize in 2004, and the nominated poem appeared on Verse Daily. She is a 2006 recipient of the 8 Seconds Award from cowboypoetry.com. Her chapbook, Red Harvest, was published by Poet’s Corner Press in 2002.