Diseased
They call it autoimmune
As if it were natural, mechanical, involuntary.
It sounds too cold.
The first day I became a definition, a stethoscope searched me
as my reflection oozed out beneath blinding white light,
body crinkling in tissue paper that could wrap a gift.
But what the doctors found inside was not mine.
But I couldn’t relinquish it.
They didn’t know what to say but
“ulcerative colitis.”
A needle pricked my skin, pierced the soft pastel
sunrise of my arm—a forced aurora.
That was the first time.
After months of extracting rubies, my mine was empty
but scarred. By jabs punctures screwdrivings
of strangers with daggers, strangers with daggers in white coats
blue shoes squeaky clean who are just helping you, sweetie,
by gifting me with a phobia of anything sharp.
I was an ashen ghost in a wheelchair, torso suddenly deemed
too weak to hold the heart thudding at the speed of lightning.
But I had been calling it quits even before I was fed Play-Doh
food on plastic trays. I think, somewhere far away,
I had killed myself.
The squeaky clean blue shoes white coats call it an it,
as if the disease were an entity of itself
as if I were just a vessel carrying this being—
this God—
in a pregnancy etching its story
dozens of trimesters too deep.
The white coats ordered the tears to stop
the same way they ordered tests and pills,
pencil scratching hot paper, checklists smeared.
So I tried chewing the inside of my lip instead.
But I forgot how to swallow the red.
Now they have begun to put me away,
tuck me to sleep during the day.
A thick powder sneaks through thin
silver tubes, kissing me goodnight.
That is all it takes to get me to shut up.
In those cold, humid moments
before gloved fingers press my eyelids close, adrenaline
pounds through me like the gallons of freshly brewed
wine rushing out of the oozing ulcers that grow
like my dark, tangled hair.
What the white coats don’t know is that there is so much
they don’t know. I am not a mystery. I am not their culprit.
I am a child whose tears run down the lining of her colon,
not her cheeks.
What they don’t know is that my body isn’t attacking itself.
That my cells aren’t butchers. That I don’t want to die.
What they don’t know is that there is a puppeteer
who has made a stage of my colon, who puts on shows
whenever suits him best. He doesn’t know to ask me first.
What they don’t know is that his loud music and the trills
in his singsong voice aren’t deafening. What they don’t know
is that the convulsions in his booming laughter,
that even the blood
hurts
less than being locked between grey walls
less than being excavated
less than being called diseased.
What they don’t know
is that in those molten, melting
moments after they press my eyelids
closed, I can still cry.
I can still remember the times
when my skin was soft and smooth
when my greatest fear was heights
when I didn’t believe in bodies
melting away like rain—
when I was still a child.
And I miss those times.
So I let the flashbacks sing,
as loud and clear as they need to,
in the meat of my dark, wet eyes.
What they can’t know
is that maybe, just maybe,
the holes in my body
aren’t gaps to be filled,
but maybe they are wishing wells,
waiting for a little, thirsty face to peer down
and just smile
Divya Mehrish
Divya Mehrish is a writer from New York whose work has been longlisted by the National Poetry Competition and commended by the Foyle Young Poets of the Year Award as well as the Scholastic Writing Awards. In 2019, she won the Arizona State Poetry Society Contest and the New York Browning Society Poetry Contest. Her work has been published in PANK, Ricochet Review, Tulane Review, The Battering Ram, The Ephimiliar Journal, Sandcutters, The Kitchen Poet, Fingerprints, Body Without Organs, and Amtrak's magazine The National.